Impressions - April 2010 - (Page 48)
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Graphics & Design
SCREEN PRINTING HANDS ON TECH TIPS HANDS ON
Building a Three-Color Design
know most screen printers will stand in line to print one-color, black-onwhite shirts all day long, but every now and then you have to go the extra mile. With some thought, you can make a design appear to have more colors than it actually does. Just burn a few more screens and your customer will think his design really rocks, when all you did was use two additional screens.
i
With a little planning on the art side, creating an interesting design is not as difficult as you might think.
In this article, we’re going to build a design from scratch and, by the time we’re done, it will be fleshed out into a nice, finished-looking design. We’re going to start this design with a photo, which can be traced and turned into vector art. (Remember, you can use any photo for these purposes.) Turning a photo into vector art can be done in several ways. We could use a number of available vector services out there that would take a photo and vectorize it. We could use dedicated vector tracing software. Or we could use Adobe Illustrator’s Live Trace or CorelDraw’s Power Trace. But for this lesson, I want to show you how to use just the program. This technique will work with either Corel or Illustrator. Here’s how we do it:
STE P
1
Open a new document and place the photo into it. Your photo should now be placed on its own layer. Double-click the Layer icon. In the Layer Options dialog box, set the Dim Images to 50%, and check its box. Click OK and your screen should dim and look similar to mine. With the layer still selected, click on the Lock box next to the preview eyeball to lock the photo in place. Now we can work on top of the photo without fear of accidentally moving it.
STE P
2
Create a new layer. Look at the photo and try to simplify it in your mind. We’re going to break it down into simple puzzle shapes. We will draw around the entire outline first. This will give us an outside shape that, when colored, will serve as the outline of our image. Remember the interior pieces need to be completely closed shapes. We will be filling each of those with color. Look really closely at the individual pieces of this image. You can see that when they’re filled with color, we will have a very basic illustration of the fish.
48
Impressions >> April/May 2010
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Table of Contents for the Digital Edition of Impressions - April 2010
Impressions - April 2010
Contents
First Impressions
FYI
Product Gallery
Winning Wearables
Head Turners
Star Students
From the Outside Looking In
Technique
Graphics and Design
For Screen Printers Only
Are You Leaving Money on the Table?
Online Directory
Business to Business
Classifieds
Ad Index
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