Impressions - August/September 2012 - (Page 45)

Embroidery Technique talking SHOP How to Appliqué on Fleece Follow this advice for perfect results every time. By Steven Batts, Contributing Writer For this month’s cover of Impressions, we asked embroidery expert Steven Batts to create an appliqué. This article details everything you need to know about mastering the process. Editor’s Note: For this month’s cover sample, we asked veteran embroiderer Steven Batts to share his appliqué process for creating the bold athletic sweat shirt featured on the cover. Read about the appliqué process and see the step-by-step tips to master the process in your own shop. ppliqué on fleece, like any appliqué, is a fairly straightforward process. The two variances when compared to “normal” embroidery are the placement line in the design and getting the fabric cutout to fit inside that placement line. Other than that, it is an easy impressionsmag.com a way to cover large areas on a sweat shirt or give a different look to an otherwise ordinary design. If you are not familiar with appliqué, the process works like this: The design starts with a placement line that outlines the shape of the appliqué and then halts with a STOP code. A piece of fabric, ideally the same shape as the placement line, is placed inside the shape. When the machine is restarted, it tacks the fabric down and then continues sewing the rest of the design. Fortunately, creating appliqué designs today is not as difficult as it was in previous years. Most embroidery programs can create an appliqué from a single shape. In the past, you had to create the running stitch placement line, insert the STOP code, add the tack down and finally the finishing stitches. Now, the program does all that for you. When dealing with more complex shapes and multiple appliqués, there are times when creating each part yourself makes sense. Often, however, what the computer generates for the appliqué works just fine. There still are some principles that should be followed when doing appliqué on fleece sweat shirts. These really apply to large designs, in general, but they are particularly important on something like a sweat shirt. The first principle is to start in the center and work your way outward. This ensures any wrinkles that may get pushed up in the fabric end up on the outside of your design, not in the middle of it. Secondly, when doing several pieces — such as letters — don’t go too far before tacking down and finishing off the letter. It is worth the little extra time it takes to do one letter at a time, if necessary, to make sure the design will line up with the appliqué fabric. The challenge is that you are working with a large area. As the machine sews all over the front of the shirt, it increases the likelihood of stretching and pushing the fabric here and there. The result is that when you come back to the beginning and start tacking down the appliqué, it is less likely to line up correctly. CUTTING OUT Once you have the design, getting the cutout is the trickier part of the process. However, this can be done in several ways. You can cut it out on the machine, make a template to cut out the fabric ahead of time, or you can use a service that creates appliqués for you and sends you the precut material and corresponding design. August/September 2012 | Impressions 45 http://www.impressionsmag.com

Table of Contents for the Digital Edition of Impressions - August/September 2012

Impressions - August/September 2012
Table of Contents
First Impressions
From the Show Director
FYI
Product Gallery
ISS Conference
Warming Trends
Redefining Fleece
Jackets of All Trades
How to Handle the Unhappy Customer
Shop Spotlight
Embroidery Technique
Embroidery Production
Screen Printing Production
Screen Printing Graphics & Design
Online Directory
Digital Decorating
Business to Business
Classifieds
Ad Index

Impressions - August/September 2012

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